X Tania Lombeida Miño


Tania Lombeida Miño (1980)
Multidisciplinary artists, she completed a Masters in Artistic Creation: Contemporary Realisms and Treatment of Environments, at the University of Barcelona. She graduated in Fine Arts at the Universidad Central del Ecuador, and in Restauration and Museum Studies at the Universidad Tecnológica Equinoccial. She co-funded the art collective La Emancipada, with which she manages the Annual Meeting for Arte Mujeres Ecuador (AME). She also manages the project ARCHIVAS & DOCUMENTAS_Mujeres, Arte & Visualidades Ecuador (Archives & Documents_Women, Art & Visibilities Ecuador) – an online data base about women artists and their work in the art systems. She worked as a consultant for the Organization of Ibero-American States (OEI) alongside MERCOSUR and the Argentinian Ministry of Culture, for the project Mapa de Residencias Artísticas del Mercosur (2017).
In 2013 she was awarded an academic grant by the Ecuadorian government to continue her postgraduate studies in art. She has been awarded the Grant Fund for Art and Culture Projects by the Ministry of Culture and Heritage of Ecuador (both for individual and collective projects) in 2008, 2016, and 2017.
Her published work includes: “Case of Study: Ecuadorian Women’s Art Venue” in Feminism and Museums vol 1 (2017); Archivas & Documentas: un espacio de enunciación para las mujeres artistas in Zoila (2018). ”Ecuador la Tierra y el Oro. Visualidades en resistencia: contacto-transferencia-interpretación de la cobertura mediática 1990-2014”, University of Barcelona (2014),
Her work has been displayed in various museums, cultural centres, and galleries in Ecuador and abroad (Germany, Venezuela, Spain).


Un ensayo sobre 'la dormición de la Virgen' (An Essay on the Dormition of the Virgin), 1. La Muerte de María (The Death of Mary)

Artwork 3 out of 14

Un ensayo sobre "la dormición de la Virgen"

(An Essay on the Dormition of the Virgin)

2 out of 8

Tania Lombeida Miño
2019
Photoengraving on paper, 35 x 25cm

La Muerte de María (The Death of Mary)

Author Miguel the Santiago, oil painting. Behind the choir in the cathedral, Quito. 17th Century (photograph: Tania L. Miño).
She was abused by her husband, the woman presented a groove on her neck, she had been strangled with a “belt”, she had vaginal tearing, marks from being dragged in the heels, various injuries and ecchymosis, she was 8 months pregnant.